JLS singing "we're the bad boys always catching your eye" — it's 'Bad Boys' but different, sung by JLS.
JLS THEN singing "we're the ones to make it beat again" — it's 'Bad Boys' but with 'Beat Again' inside it. The whole thing is a jamboree of intertextuality.
Marvin accomÂpaÂnyÂing "your eye" by pointing at the audience then his actual eye.
The bits where it looks like JLS and Alexandra are a proper mixed-sex band of the variety popular in the late-1990s.
The arm-foldy wobbly-around dance move thing.
httpv://www.youtube.com/watch?v=NdgXMfLobJA
The bit at one minute twenty five when the dancers start skipping on and you think "HANG ON THERE ARE GOING TO BE A MILLION DANCERS ON THE STAGE AND IT WILL BE LITERALLY ABOVE AVERAGE".
The bit where there are a million dancers on the stage and it is literally above average.
Interesting Marvin pantaloon action.
Oritse yelling "HERE WE GO".
The breakdown bit.
The fact that it's a medley. A MEDLEY!
The amazing bit where Alexandra delibÂerÂately forgets to mime the last line of her own song.
"Put your hands up" being accomÂpanÂied by hands being 'put up'.
The conÂspicuÂous absence of that other key player in the three-legged stool of the 2008 X Factor final: Eoghan Quigg.
The entire thing being flanked by two amazing Christmas trees.
The final, delibÂerÂately pathetic 'pft' of six cut-price fireworks, a conscious reference to the fact that the only pyroÂtechÂnic display capable of reflectÂing the lifechanÂging immenseÂness of this light enterÂtainÂment monolith would be THE ENTIRE STAGE BEING BLOWN UP KILLING EVERYONE ON IT.
