Popjustice
  • Home
    • Briefing archive
  • Features
  • Playlists
  • Get Popjustice emails
  • About Popjustice
    • About
    • Popjustice: Est 2000
    • The Popjustice Twenty Quid Music Prize
  • Contact
    • General contact details
    • Submit music
  • Forum
Recent Posts
  • Fine, let's do a Substack then.
  • The 2022 Popjustice Twenty Quid Music Prize: shortlist
  • 2021 Popjustice Twenty Quid Music Prize: Laura Mvula wins
  • Sarah Harding
  • "You asked me not to leave, well here I am again"
Hello! In theory you should only be seeing this if you're using a mobile or tablet. How's the site looking? If anything's wonky click here and tell us so we can fix it. Thanks! x
Popjustice
  • Briefing
  • Features
  • Playlists
    • New Music Friday: The Popjustice Edit
    • Big Hit Energy
    • 21st Century Pop
    • 2018% Solid Pop Music
    • Full archive
  • About
    • About Popjustice
    • Contacting Popjustice
    • Send music
    • Popjustice: Est 2000
    • The Popjustice Twenty Quid Music Prize
  • Forum
  • The Briefing

Note to record labels

  • August 21, 2009
  • Popjustice

Never, ever ask your artists to voice their own advert­ise­ments on Spotify.

They sound terrible and desperate and cheap and tawdry and just pathetic and music fans begin to associate YOUR artist with ruining THEIR fun. Your artist becomes the enemy of music.

This surely is not the idea. 

Let's consider the classic of the genre, the daddy of the scene: the already legendary Amy Macdonald advert.

Non-Spotify users — imagine the scene. You're listening to your favourite album, or perhaps a great playlist a friend has put together for you. "Music," you are thinking, "really is quite magical. How lucky I am to have music in my life."

THEN THIS HAPPENS.

httpv://www.youtube.com/watch?v=4YpHov_MGOM

Now imagine hearing that advert­ise­ment, featuring a woman who sounds like she's reading a ransom note with a gun to her head in an otherwise empty Big Yellow Self Storage unit, five times a day. Imagine hearing Amy Macdonald sounding so utterly bored of her own existence every time you listen to music.

1. Is this going to make you warm to Amy Macdonald as a person?
2. Is the fact that she can't get excited about her own music going to really make you excited about it?
3. No to both the above. NO.

This support request puts it rather well. Or, as one French commenter on a Spotify piece intro­du­cing the company's new Head of Business Development says: "I think if one day i meet amy mcdonald I ll kill here I cannot stand here voice anymore".

Seriously. Get someone else in to do the adverts. Anyone. Just not the popstar.

  • the enemy
Previous Article
  • The Briefing

A Visitor download for a Friday

  • August 21, 2009
  • Popjustice
Have a read
Next Article
  • The Briefing

Today's Song Of The Day is a thing of beauty and wonder

  • August 21, 2009
  • Popjustice
Have a read
Further listening
Greatest hits
  • An interview with Tove Lo
  • Lady Gaga interview: "I looked to my past and my faith to find bravery in myself"
  • Alison Goldfrapp interview: "I feel good about this"
Further reading
  • 1
    Fine, let's do a Substack then.
  • 2
    The 2022 Popjustice Twenty Quid Music Prize: shortlist
  • 3
    2021 Popjustice Twenty Quid Music Prize: Laura Mvula wins
  • 4
    Sarah Harding
  • 5
    "You asked me not to leave, well here I am again"
  • 6
    The 2021 Popjustice Twenty Quid Music Prize: shortlist announced
Est 2000. Still going.
Socials

 Spotify
 Facebook
 Twitter
 Instagram
 Soundcloud

'Quick links'

About Popjustice
Contact Popjustice
Sign up for the newsletter 
Submit music
Est 2000
Twenty Quid Music Prize 

Playlists

21st Century Pop 
New Music Friday: The Popjustice Edit 
2018% Solid Pop Music 
The Sound Of Popjustice 
Playlist archive

© 2020 Popjustice Ltd. Scrolled to the bottom now you're here
  • Privacy, Ts & Cs, cookies etc
  • Corrections

Input your search keywords and press Enter.