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The Top 33 Albums Of 2011

  • December 12, 2011
  • Brad O'Mance

1

Lady Gaga

Born This Way

On January 1 this year we listed the things we wanted in 2011 from Lady Gaga. A Glastonbury per­form­ance, full range of dolls, that kind of thing. One of the eleven requests was: "Hats. Many hats. Hats so numerous that some onlookers will feel moved to say there are too many. We're talking hat overload".

As it turned out, the debut live per­form­ance of 'Born This Way' did involve a large hat, but it prompted a mere blip on the hatometer in com­par­ison with what was to come, because the greatest Gaga moment of 2011 also ended up involving a hat. It appeared — along with some of the other greatest Gaga moments of 2011 — in the fast-cut barrage of amaz­ing­ness that made up the final 90 seconds of the 'Marry The Night' video. It was the image of Lady Gaga attempt­ing to get in a car while wearing a huge hat.

The hat is far too big to even get in the door. It must be four feet wide. The situation is absurd. The personal assistant helping Gaga into the car must know that the hat is too big. Why hasn't the personal assistant said anything? The driver is probably well aware of what is going on. He's looking the other way. Does Gaga just expect the car to somehow get bigger, to accom­mod­ate the hat? Maybe Gaga knows the hat's too big. Will she admit that she knows? Probably not.

As an album, 'Born This Way' was the sound of someone trying to force a massive hat into a tiny car. It is a sprawling, ambitious album that shouted to be heard when everyone was already listening, but no other album in 2011 tried quite this hard to be amazing, and no other album succeeded in as many ways.

An artist whose next album wasn't on course for mul­ti­plat­inum success regard­less of its contents would probably have felt the full force of a major label A&R man's con­ser­vat­ive inter­ven­tion. To an artist whose future was uncertain, the man at the label would have said, 'don't use these pretty inex­per­i­enced producers for the bulk of the album'. They would have said, 'do you know what, that whole gay thing for the first single isn't quite right, perhaps it could be a bonus track in Belgium'. They would have said, 'there is too much happening here. You have too many ideas. Take some ideas out'. But Gaga wanted to get that hat in the car and, because she seemed like the biggest popstar in the world, nobody wanted to stop her.

Thank fuck for that. This is a phe­nom­enal album. 'The Fame' was the sound of a new, attention-hungry singer trying to please anyone; 'Born This Way' was Gaga trying to please everyone, but its desire to tick boxes in some songs is countered by rampant unself­con­scious­ness in others.

The music's balance of super-naive and super-confident echoes parts of Gaga's own per­son­al­ity — for someone so sharp in so many ways she can also lack self awareness when it really matters. But with most of the pro­duc­tion on 'Born This Way' coming from Fernando Garibay and DJ White Shadow, that con­tra­dic­tion works perfectly. There are things Garibay and White Shadow do on this album that none of the sup­posedly 'reliable' usual suspects of the super­pro­du­cer world, con­di­tioned into thinking there is only one way to make a song, would have dared pull off on an a‑lister's album. Their unin­hib­ited sonic exper­i­ment­a­tion shouldn't really work alongside Gaga's relent­lessly main­stream melodic flour­ishes, but it works perfectly.

There are bits of 'Born This Way' that simply don't work — and let's not even start on the artwork which, you'll notice, we've swapped here for the hat/egg artwork used for the end-of-year reissue. So if it's so imperfect, why is it Popjustice's album of the year? 'Born This Way' is album of the year for one simple reason: it has more great stuff in it than any other album by any other artist in 2011. More bangs, more crashes, more mariachi band, more unicorns, more choirs, more "put your hands on me, John F Kennedy", more hair, more filth, more fire, more sax, more sex, more crap pretend German, more "with you, with you, with you, with you, with you".

We asked for a lot of hat, and we got a lot of hat.

 

And the other albums we liked this year were…

 

2

Will Young

Echoes

3

The Sound Of Arrows

Voyage

4

Sophie Ellis-Bextor

Make A Scene

5

Susan Boyle

Someone To Watch Over Me

6

Pnau

Soft Universe

7

Nicola Roberts

Cinderella’s Eyes

8

Rihanna

Talk That Talk

9

Britney Spears

Femme Fatale

10

Nicole Scherzinger

Killer Love

11

Jennifer Lopez

Love?

12

Cut Copy

Zonoscope

13

Adele

21

14

Monarchy

Around The Sun

15

Patrick Wolf

Lupercalia

16

Christophe Willem

Prismophonic

17

Cher Lloyd

Sticks + Stones

18

Nerina Pallot

Year Of The Wolf

19

Example

Playing In The Shadows

20

The Saturdays

On Your Radar

21

Beyonce

4

22

Frankmusik

Do It In The AM

23

Vanbot

Vanbot

24

Patrick Stump

Soul Punk

25

Jessie J

Who You Are 

26

Kelly Clarkson

Stronger

27

Natalia Kills

The Perfectionist

28

Katy B

On A Mission

29

Lights

Siberia

30

One Direction

Up All Night

31

Same Difference

The Rest Is History

32

CocknBullKid

Adulthood

33

David Guetta

Nothing But The Beat

  • Britney Spears
  • Lady Gaga
  • nicola roberts
  • Nicole Scherzinger
  • pnau
  • Pon De Runway
  • Sophie Ellis-Bextor
  • susan boyle
  • The Sound of Arrows
  • Will Young
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Further reading
  • 1
    Congratulations to Charli XCX and Lorde: winners of the 2024 Popjustice Twenty Quid Music Prize
  • 2
    The 2024 Twenty Quid Music Prize: Shortlist
  • 3
    The 2023 Popjustice Twenty Quid Music Prize: Shortlist
  • 4
    Fine, let's do a Substack then.
  • 5
    The 2022 Popjustice Twenty Quid Music Prize: shortlist
  • 6
    2021 Popjustice Twenty Quid Music Prize: Laura Mvula wins
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