Popjustice
  • Home
    • Briefing archive
  • Features
  • Playlists
  • Get Popjustice emails
  • About Popjustice
    • About
    • Popjustice: Est 2000
    • The Popjustice Twenty Quid Music Prize
  • Contact
    • General contact details
    • Submit music
  • Forum
Recent Posts
  • Congratulations to Charli XCX and Lorde: winners of the 2024 Popjustice Twenty Quid Music Prize
  • The 2024 Twenty Quid Music Prize: Shortlist
  • The 2023 Popjustice Twenty Quid Music Prize: Shortlist
  • Fine, let's do a Substack then.
  • The 2022 Popjustice Twenty Quid Music Prize: shortlist
Hello! In theory you should only be seeing this if you're using a mobile or tablet. How's the site looking? If anything's wonky click here and tell us so we can fix it. Thanks! x
Popjustice
  • Briefing
  • Features
  • Playlists
    • New Music Friday: The Popjustice Edit
    • Big Hit Energy
    • 21st Century Pop
    • 2018% Solid Pop Music
    • Full archive
  • About
    • About Popjustice
    • Contacting Popjustice
    • Send music
    • Popjustice: Est 2000
    • The Popjustice Twenty Quid Music Prize
  • Forum
  • The Briefing

Some words re JLS' new single 'The Club Is Alive'

  • April 30, 2010
  • Popjustice

About a year ago the Epic Records bigwig partly respons­ible many centuries ago for Another Level and Blue got very excited in front of us.

Having signed JLS — another British boyband whose logo was destined to be tattooed across the face of Capital FM's entire audience — he was ready to launch the band and had two tracks to play us. He played 'Everybody In Love' and 'Beat Again', they were very good, we left the building with an amazing blue JLS hoodie, the rest was a sig­ni­fic­ant footnote in boyband history, and now here we are.

Or, rather, there we both were again yesterday for round two. He is the sort of label boss who gets terribly animated about his artists and when he's pitching you his next move he very excitedly tells lots of stories and does voices and gets up and waves his arms around a lot. Yesterday he gave us a very good per­form­ance regarding JLS' new single, 'The Club Is Alive'. As it turned out, the track lived up to 'the chat'.

The song is based on an idea by v good songsmith Savan Kotecha; Steve Mac and Andrew Frampton are also on board. The idea is that the chorus takes Rodgers & Hammerstein's 'The Sound Of Music' (NO WAIT COME BACK) but has the boys singing "the club is alive with the sound of music". It's a terrible idea executed bril­liantly. Maybe it's a brilliant idea executed bril­liantly — to be honest it doesn't really sound anything like the original 'Sound Of Music' tune but it's enough of a talking point to make the single feel like something of an event and a step up for the band which, con­sid­er­ing 'One Shot' is still all over the place, is probably quite fortunate. It sounds big. Actually it sounds massive: there are some per­func­tory lyrics about "shawties all around", "out with my boys", "I can be the DJ you can be the dance­floor you can get up on me" (you've heard all this a million times before) but the song's secret weapon is its mental pro­duc­tion, pile­driv­ing beats and more than a slight hint of the kitchen sink.

'The Club Is Alive' is basically JLS doing Black Eyed Peas — it sounds like an inter­na­tional Number One rather than just a UK one and imme­di­ately drags JLS' musical output up to the level of their current profile. Over the last few months the band's success has begun to exceed the quality of their debut album, some of which was really quite duff, and 'The Club Is Alive' restores equi­lib­rium. Certain showbiz colum­nists might even describe the track as 'JLS club heaven' but something that cheesy would never even cross our minds.

In other news the band have recorded a handful of other tracks for the new album (Calvin Harris is among the col­lab­or­at­ors — incred­ible) and will continue recording over the summer. The plan is that 'The Club Is Alive' comes out pretty soon (the radio premiere is imminent), the band continue promoting in the States during the summer months while also playing shows in the UK, then there's another new single in the autumn before the second UK album drops at the end of November. 

We'll finish with a pop fact: appar­ently Justin Bieber wanted to record 'One Shot' but JLS got it instead. Amazing.

  • Black Eyed Peas
  • Calvin Harris
  • JLS
  • justin bieber
Previous Article
  • The Briefing

Our Eurovision entry: new version sounds more like 'Tragedy', is marginally less tragic

  • April 30, 2010
  • Popjustice
Have a read
Next Article
  • The Briefing

Something for the weekend? How about a listen to Scissor Sisters' monumental new single

  • April 30, 2010
  • Popjustice
Have a read
Further listening
Greatest hits
  • Robbie Williams interview
  • Cheryl Cole interview
  • Zavvi, 2007–2008
Further reading
  • 1
    Congratulations to Charli XCX and Lorde: winners of the 2024 Popjustice Twenty Quid Music Prize
  • 2
    The 2024 Twenty Quid Music Prize: Shortlist
  • 3
    The 2023 Popjustice Twenty Quid Music Prize: Shortlist
  • 4
    Fine, let's do a Substack then.
  • 5
    The 2022 Popjustice Twenty Quid Music Prize: shortlist
  • 6
    2021 Popjustice Twenty Quid Music Prize: Laura Mvula wins
Est 2000. Still going.
Socials

 Spotify
 Facebook
 Twitter
 Instagram
 Soundcloud

'Quick links'

About Popjustice
Contact Popjustice
Sign up for the newsletter 
Submit music
Est 2000
Twenty Quid Music Prize 

Playlists

21st Century Pop 
New Music Friday: The Popjustice Edit 
2018% Solid Pop Music 
The Sound Of Popjustice 
Playlist archive

© 2020 Popjustice Ltd. Scrolled to the bottom now you're here
  • Privacy, Ts & Cs, cookies etc
  • Corrections

Input your search keywords and press Enter.