I've made a big decision about the future of Popjustice, a website I started nearly twenty years ago. Not an easy decision, but one that's been coming for a while.
The madness has to stop. As of today I will be writing songtitles With Capital Letters Where They're Supposed To Be.
- Josef Salvat's new song is called modern anxiety. NO IT'S NOT.
- The new Pet Shop Boys song is called Burning the heather. NO IT'S NOT.
- Griff's new song is called Sound of Your Voice. NO IT'S NOT.
These songs are called Modern Anxiety, Burning The Heather and Sound Of Your Voice.
I feel quite bad about the Pet Shop Boys one because they've dedicated their entire careers to writing their songtitles as sentences but I can't have one rule for one popstar and another rule for others.
I have not yet made a decision on whether RAYE is Raye, ZAYN is Zayn and so on — I'm slightly sympathetic to the idea that an artist's name is kind of sacred. But frankly I'm not that sympathetic. I feel a decision brewing and it might well cause WIDESPREAD OUTRAGE. (Or Widespread outrage.) (Or widespread outrage.)
PS: Yes songtitles is one word, just like popstar.
PPS: And yes it's PS not P.S..
Notes on this week's new releases:
- Josef Salvat (who returns this week with Modern Anxiety, a song whose video you should watch on your mobile telephone): WHAT A MAN, WHAT AN ARTISTE, WHAT AN ENTITY.
- No idea why The Rubens have made a totally brilliant pop song, possibly an administrative error but here we are.
- Charlotte Lawrence has this week's best song title: God Must Be Doing Cocaine. Quite Magnetic Fieldsy, as songtitles go. And that's probably it, isn't it, when you look at the state of the world these days. God is just absolutely of His tits. (God does not exist.)
- Krystal Klear, who should produce the next Pet Shop Boys album, as well as everything else by everyone else, has a new EP out today and Entre Nous is the bangingest song on it.
- By 'next Pet Shop Boys album' I mean the one that's out after the one that's out next year. The latest song from that is in this week's playlist and it's full-on pensive. (Actually, thinking about it, Entre Nous is a very PSB song title. GET KRYSTAL KLEAR IN THE STUDIO WITH NEIL AND CHRIS NOW.)
- Not sure how I feel about the 'collaborashawn' (oh dear) version of Taylor's Lover, a Q4 streamchase reswizzle sort of diminishes the directness and purity of the original but I appreciate that in the current 'pop' 'ecosystem' this sort of objection is a bit of a cloud yell.
- Vita Bergan suffers from exactly the same problem as Lilla Vargen. Not a musical one — they're both quite good — but because of the simple fact that it's impossible to see either of their names without feeling the compulsion to bellow "HEY! TOUCHED FOR THE VERY FIRST TIME".
As well as Pang being the pop album of the year and a modern masterpiece in its own right, it seems like Caroline Polachek has also made the album countless other artists either wish they made or think they made. The whole lot's right at the top of this week's playlist. (Also, is she going to make 'NO INTERLUDES NO FEATS' into a t-shirt or am I going to have to make my own?)
- Gryffin's Maia Wright collaboration recalls the Gryffin we all (well about nine of us) first fell in love with 'back in the day'.
- TOM ASPAUL IS BACK LADIES AND GENTLEMEN.
- Grace VanderWaal has now signed with Syco, which is quite interesting and also great news because the greater her audience, the closer she'll get to the Radio 1 Live Lounge, and the more likely it therefore is that she'll cover Wonderwall and change the lyrics to "after all, I'm Grace VanderWall". All pop careers, whether the artists know it or not, are heading towards one big moment, and that one's Grace's.
- The new Julie Bergan EP is v good!
Something strange is happening in this week's new releases. It's as if in several different parts of the world a small number of popstars have independently decided that this is the week when pop must finally collapse in on itself.
Black Eyed Peas sampling Rhythm Of The Night? Sure! Pusha T chucking the Succession theme tune on a song? Fine! Hanne Leland banging out The Sound Of Silence, Sondr reworking Eiffel 65's Blue, Baby Ariel interpolating Lou Reed, Lucas & Steve singing new words over A-ha's Take On Me? THIS IS ALL ABSOLUTELY NORMAL. There's a dodgy Freak Like Me remix knocking around somewhere this week, too. (Most of this stuff, I should add, hasn't made this week's playlist.)
To top it all off someone called Scott Walker has decided to launch a pop career in spite of the fact that pop's Scott Walker quota (which is 1) is already full, meaning that the Spotify artist page for one of music's most epic voices now lists his first posthumous release as being a money-for-old-rope house effort. I'm sure it's what he would have wanted.
- Song Of The Week by about half a mile is E^st's new one Talk Deep, which finds her reunited with Jim Eliot and is both BREATHY and PERKY. It's the first look at her debut album I'm Doing It which is a) a really extraordinary new body of work, b) due next year and c) and a handy reminder, for the time being, that E^st's existing catalogue of pop is very much work revisiting.
- Harry Styles is veering into Zayn territory with Lights Up.
- Cher Lloyd has released a song called MIA but WHEN WILL MIA RELEASE A SONG CALLED CHER LLOYD?
- The latest Charlie's Angels song, How It's Done, features a lot of artists, none of whom will ever include this song in their live sets.
There's a chill in the air as a sense of expectation flashes in the eyes of children. That right: Q4 is here. In truth the relentless, merciless, year-round onslaught of Big Pop in the streaming era means that The Most Wonderful Time Of The Year has lost some of its power to Qs 2, 3 and 1, so fair play to Ellie Goulding and Andrea 'Bocelli' Bocelli for this week's release of Return To Love. Classic Q4 scenes.
Additional notes on this week's new releases:
- We've all heard variations on DeathbyRomy's (pictured above) new single many, many times before from many, many different artists, but this particular song by this particular artist totally hits the spot.
- The arrival of DJ Spoony's extremely polite reworking of early-2000s megabanger Sweet Like Chocolate — with Lily Allen on vocals — is quite exciting, if only because its release means that his version of Sweet Female Attitude's Flowers, with Sugababes, is just around the corner.
- The Swim Deep single is beautiful and very special.
- Phoning it in this week: Joe Stone.
This is it, isn't it? The most amazing song off the last Bastille album now has a video, which means it's a single. To be frank it's the most amazing Bastille single you're ever likely to hear. It's total Bastille. It's ultimate Bastille. It's Bastille: Endgame. It's IF YOU ARE EVER GOING TO LIKE A BASTILLE SONG, HAVING NOT LIKED PREVIOUS BASTILLE SONGS, HERE'S YOUR CHANCE. It's quite literally Bestille.
Where does this leave us? Well, we're all busy people so the good news is that you'll probably never need to listen to another new Bastille song. I mean, if they do pull it out of the hat at some point in the future I'll let you know, but all I'm saying for the time being is: enjoy this song, and live your life.
Last night 39 Popjustice readers spent four hours shouting at each other in a London pub. By the time the shouting stopped, Georgia's About Work The Dancefloor had seen off eleven other shortlisted songs and won the 2019 Popjustice Twenty Quid Music Prize.
Seriously, what a song.
As Georgia is the overall winner she'll be receiving the usual £20 (this year, supplied as two £10 notes), plus a pair of overalls.
Special mention should also go to The 1975, whose It's Not Living (If It's Not With You) — also an amazing song — missed out on the prize by just one vote.
Thanks to all last night's judges for committing themselves so wholeheartedly not just to the pursuit of pop justice, but also to the bar hitting its minimum spend requirement.