New Music Friday: Hayley Kiyoko sometimes wonders if you'll ever love her ever

Filed by Peter Robinson on

Notes:

  • Hayley Kiyoko's I Wish, probably although not def­in­itely this week's best new song, is a superstar pop moment 'and no mistaking'.
  • Charlotte Lawrence takes a step up and slightly to the side, into Eilishish territory, with Why Do You Love Me. The shift suits her; the song has an impress­ive team behind it, including Ali Tamposi, Ryan Tedder, Andrew Watt and Charlie 'You Can't Handle The' Puth.
  • Bishop Briggs also comes into focus this week with the Joel Little-produced Champion.
  • Sam Smith Has Experienced Sadness.
  • chloe mk's new single opens with quite a line: "I miss David Bowie, I miss Prince, I miss the way it used to feel when we were kids."

New Music Friday: it's the ciiiIIRRCCEELLLofLLIIIIIFFFFFE

Filed by Popjustice on

The Song Of The Week is Circle Of Life / Nants' Ingonyama by Lindiwe Mkhize and Lebo M.

Popjustice reader Court Clark took exception, yesterday, to my claim that some of Ingrid Michaelson's new songs were bangers. "It seems like you don’t under­stand the meaning of the word 'banger' when referring to music," he wrote. Of course, as we all know, the word 'banger' ceased to really mean anything specific about three years ago, but I think if there's one thing we can all agree on it's that Circle Of Life is an absolute banger for the ages. Jon Favreau gets a pro­duc­tion credit on this new version. Well done Jon!

Additional notes:

  • The David Guetta and Martin Solveig single has almost certainly been ruined by, well, David Guetta and Martin Solveig. The writing credits suggest Alex Hope, Noonie Bao and Sasha Sloan — three women entirely capable of making a song on their own — actually wrote the song (it sounds like the uncred­ited vocalist is Sasha). All of which leads to one simple demand: RELEASE THE ORIGINAL VERSION.
  • The Ina Wroldsen/Syco exper­i­ment seemed to have hit a bit of a wall but Forgive Or Forget is a smash-in-waiting.
  • Considering how record-breaking their record-breaking run of hits was, Girls Aloud have so far had a fairly minor influence on what pop sounds like today, but Call Me Loop's pulling some Aloud moves with exuberant wank­banger Self Love, which also nods in the direction of Little Mix's Move but exists as a rather excellent pop moment in its own right, too.
  • The K.Flay album's out today. Play it from beginning to end please, it's very good.
  • Sofi Tukker's Swing is 'quite something'.
  • The new Justin Bieber version of Billie Eilish's bad guy almost works…
  • Sigma are really running on fumes at this point.

A concept album based on a Netflix show? Stranger things have hap(You're fired — Ed)

Filed by Peter Robinson on

Ingrid Michaelson's new album came out a couple of weeks ago and I've found myself going back to it again and again: it's obviously one of 2019's best albums to date, and that's before you even get into the fact that each of the tracks on Stranger Songs is inspired by a different character, scene or theme from Stranger Things.

Is this album eleven tracks long? YOU BET IT IS LADIES AND GENTLEMEN.

Here's the new video for Missing You, which like every other song on the album works bril­liantly even if you have no interest in or knowledge of Stranger Things. If you have been watching, according to a track-by-track com­ment­ary on Billboard it's about the Nancy, Steve and Jonathan love triangle.

One of the album's best songs is the first Ingrid wrote for what even­tu­ally bloomed into a full-on album project — it's called Christmas Lights ("I promise I'll make things right, but until then I will talk to you through the Christmas lights") but to be honest they're all good. Pretty: banger. Take Me Home: banger. It's quite literally a good album.

Ingrid's playing London's Union Chapel in November; tickets are on sale here. Hopefully by that point she'll have started work on an album about Tiny House Nation.

Also!

If you like your pop with a Stranger Things twist have a listen to Esther's extraordin­ary Kvällsgäst, which came out on Friday.



Popjustice's latest Now playlist addition: Billie Eilish's bad guy

Filed by Peter Robinson on

The back­ground: Last summer, to celebrate the 100th edition of Now That's What I Call Music, I put together a special Popjustice Edit — the best song from each edition, in order. 100 songs that told the story of pop music from the 80s to today. Click here for the playlist, it's incred­ible.

The updates: With each sub­sequent Now That's What I Call Music album, I've been adding the best song. Last November I selected The 1975's TOOTIMETOOTIMETOOTIME, and in April I added Mark Ronson and Miley Cyrus' Nothing Breaks Like A Heart. Which brings us to…

The latest addition: Now 103 is out next week and the track­list­ing (which, sidenote, is a mess) throws up several worthy additions to the Popjustice Edit playlist. Among them are Ariana's break up with your girl­friend, i'm bored and Camila and Shawn's Senorita, but the two songs that best showcase what pop can do in the summer of 2019 are Lil Nas X's Old Town Road and Billie Eilish's bad guy. Both those songs are by artists who've subtly rewritten what popstars can/should be like, and neither song sounds like anything else in the chart. In the end bad guy makes it onto the list: it sounds like pop music from a different time (maybe only 7–9 months in the future, but that's enough) and a different planet and like bury a friend it still, after all this time and all these listens, somehow takes you by surprise when it tumbles out of the radio.


New Music Friday: Kult Kyss are tripping on past lives

Filed by Peter Robinson on
Pic: SHE IS APHRODITE

The Song Of The Week is Rituals by Kult Kyss.

Melbourne duo Kult Kyss say they merge "future pop with ritual noise", and you can't go wrong with a bit of that; Rituals, their first release of 2019, is a spooky technopop thunderer.

Additional notes:

  • Not being funny right but is Hate Me Ellie Goulding's best single in ages?
  • New artist thisisNAMASTE is the daughter of two dentists!!!!!!
  • Violet Days and Violet Skies both release new singles today, which is either bad planning or great planning.
  • On a similar note Muna and Yuna both release great songs today, and while I was compiling the playlist I got a press release for a new label called Oona.
  • As discussed here the new Eden xo EP's out today and it's really good; So Lucky is the track that makes this week's NMF playlist.
  • Kygo's Whitney Houston col­lab­or­a­tion — based on a semi-unre­leased cover from 1990 — is neither right not okay, but he's made it anyway.


Eden xo finally hits the spot with The Question

Filed by Peter Robinson on

Sometimes the best popstars get everything right straight out of the gate, and that's all very exciting, but sometimes they need time and space to realise who they are, what they're doing and why they're doing it. Popjustice has been covering Jessie Malakouti's work for some time now and it feels like in 2019, as Eden xo, she's finally figured everything out.

Eden's been teasing her new The Question EP for the last couple of months with glittery tunes Sorry For Myself and Have It All; the full EP is out today and it's just really great.

Also out today is the video for So Lucky — as you can see from this YouTube embed holding image's 'fortune teller on a pink sports car' tableau it's a typically under­stated affair.

Eden's making the most of the clarity she's found with The Question; there's another EP, which Eden xo describes as the yin to The Question's yang, coming soon.


In 100 Thousand, Navvy makes a proposal that's both bleak and uplifting

Filed by Peter Robinson on

I met a really good popstar yesterday. Not your usual 'here's a singer with some good songs who'll probably peak at about 350,000 monthly Spotify listeners after 18 months' type of good popstar — like, proper "I am in the presence of a superstar" material. "Get her on all the chat shows now" material. "Here's someone whose video content people might actually enjoy watching" material. Super funny, super smart, super excited to be banging out music. Absolutely ideal.

Anyway she's called Navvy, she comes from New Zealand and you maybe heard her last song, Subliminal which was, and there are no two ways about it, good.

Now here's her new one, 100 Thousand. It was written after a rela­tion­ship went tits up and Navvy (it's pro­nounced 'Navy' — good luck with that) says it came "from a place of help­less­ness in the loss of love, but turning that into strength, and realising that I’m going to be abso­lutely fine. At the same time as thinking of all of the things I could do to get back at someone that did something so terrible, I’m realising that there’s no point because there are so many people in the world that will be better to me than he was”.

The idea behind the song is spec­tac­u­larly bleak if you think you're happily in a rela­tion­ship: con­sid­er­ing there are 7.5bn people on the planet, do you really, really think the person you're with is your ideal partner? Like, sure, they'll do, and they might be the best bet out of everyone you've met, but how many people have you even met in your life? 2000? 3000?

It seems highly unlikely that the true love of your life somehow, coin­cid­ent­ally, happened to be in that small sample. But at the same time, does the love of your life, the concept of 'the one', actually really exist?

Navvy proposes — and this is quite optim­istic if you've just ended a rela­tion­ship — that there might not be a million decent matches out there, but at the same time you don't have to exhaust yourself looking for 'the one' because, really, out of 7.5bn people alive today, 100,000 great ones seems like a reas­on­able figure. It's the old plenty-more-fish-in-the-sea idea, which is ref­er­enced in the 100 Thousand lyrics, but with numbers and math­em­at­ics backing it up. Also, in these times of envir­on­mental crisis there might come a point when they're really aren't plenty more fish in the sea, so the concept of 100,000 might actually prove very useful in the coming years. Good to have a backup for old sayings, as the old saying goes.

And the point, really, is that figuring 0.001% of the world's pop­u­la­tion might be right for you isn't really too much to ask, is it? And, well, sometimes it might seem like yes that's a pretty tall order actually, but on a good day… Maybe it's alright? Tracking them down's a different matter…