Posted by Popjustice on
Oct 22 2014 at about 12:58
That picture above is the first one we ever saw of S Club 7.
A lady from their management company came to see us and brought the photograph with her. She also brought a 21st Century Girls VHS but let’s not dwell on that because the exciting thing about that day back in the late 1990s was that mysterious photo of seven popstars.
There wasn’t much extra information given at the time, other than some names on the back of the photograph.
We don’t know when ‘John’ decided to be Jon but we do know that over the next few years S Club refined and redefined the pop-as-a-brand malarkey and made some amazing songs.
Here’s how it all happened.
S Club was a second attempt at the Spice Girls
Two of the biggest pop acts at the end of the 90s were actually previous pop acts done properly. With Westlife, Louis Walsh figured out what all the shit bits had been about Boyzone, and created a far better group.
With S Club, Simon Fuller had a look at his success with the Spice Girls and perfected the formula.
That’s not to say S Club were a better act than the Spice Girls, but they were a more efficient and well-rounded pop entity. Most importantly, while the Spice Girls were simply a pop group that ended up being a brand, S Club was a brand with a pop group at its heart. Over the years that followed, this allowed S Club to become a range of merchandise, a TV programme… Even another pop group.
S Club launched off the back of a BBC TV programme
The first sight of S Club 7 was actually on Miami 7, a ‘dramedy’ effort shown on CBBC or whatever CBBC was called in 1999.
While not groundbreaking as a way of introducing a pop band (North & South had attempted something similar a couple of years earlier), Miami 7 was a stroke of genius in one important respect: its worldwide syndication was an extraordinarily clever way of shoehorning a new pop band into the consciousness of the entire planet. Miami 7 was seen by 90m people in over 100 countries.
They released some very good pop singles
‘Reach': amazing. ‘S Club Party': amazing. ‘You’re My Number One': amazing. ‘Never Had A Dream Come True': amazing. ‘Don’t Stop Movin”: amazing. ‘Have You Ever': amazing. ‘Alive': amazing even though it was just trying to be ‘Don’t Stop Movin’ 2′. ‘Love Ain’t Gonna Wait For You': we’re still fuming this was relegated to AA-side status.
Most of the best S Club songs were written by Cathy Dennis, who seemed to find that the band provided a good clearing house for her INCREDIBLE POP STUFF. In 2014, ‘Reach’ and ‘Don’t Stop Movin” are both solid gold wedding disco bangers that every DJ should have somewhere in their box.
Then S Club TV happened
S Club TV was an attempt at a TV programme. (It wasn’t very good.)
Here the hosts are, plugging it on a better TV programme.
Excellent cross-promotion with the ‘Reach For The Stars’ segment though, right?
(Holly from S Club TV went on to be Holly Willoughby, while Ben had a picture of S Club in his attic or something.)
Then S Club Juniors happened
S Club Juniors were like S Club, but smaller. However, because there was one extra member in S Club Juniors, the two bands were actually exactly the same weight.
As well as nicking S Club’s logo and songwriter (Cathy Dennis wrote their first single), S Club Juniors even appeared with a familiar first photo.
S Club Juniors ended up rebranding as S Club 8 and they knocked out some good songs (AND SOME SHIT ONES) during their time together. Among the best were ‘Fool No More’ and ‘New Direction’, the latter of which sounded a bit like ‘nude erection’ which as you can imagine was incredibly funny in 2005 and remains fairly amusing today.
When S Club 8 went tits up Simon Fuller invented a fame school-centred kids TV drama called I Dream, which featured Frankie and Calvin from S Club 8. That didn’t go very well.
As you well know, Frankie and Rochelle from S Club 8 ended up in The Saturdays, and one of S Club Juniors’ songs ended up being released in the US by American Juniors, who were a band formed by a reality show, but that’s just adding an extra layer of complication to the whole thing so let’s not get bogged down.